If you choose to use this system you really want to have a very big pocket book and superior discipline to step away when you earn a tiny success. For the benefit of this material, a figurative buy in of $2,000 is used.
The Horn Bet numbers are surely not considered the "winning way to wager" and the horn bet itself has a casino edge of over twelve percent.
All you are wagering is 5 dollars on the pass line and a single number from the horn. It does not matter if it’s a "craps" or "yo" as long as you gamble it constantly. The Yo is more dominant with players using this system for apparent reasons.
Buy in for two thousand dollars when you sit down at the table but put only $5.00 on the passline and one dollar on one of the 2, 3, 11, or 12. If it wins, fantastic, if it loses press to two dollars. If it does not win again, press to four dollars and continue on to eight dollars, then to sixteen dollars and after that add a $1.00 every subsequent wager. Each time you don’t win, bet the last bet plus an additional dollar.
Using this approach, if for example after fifteen tosses, the number you selected (11) has not been tosses, you really should march away. However, this is what possibly could develop.
On the tenth toss, you have a total of one hundred and twenty six dollars in the game and the YO finally hits, you gain $315 with a gain of $189. Now is a perfect time to go away as it’s higher than what you joined the table with.
If the YO doesn’t hit until the twentieth toss, you will have a total bet of $391 and seeing as current wager is at $31, you gain $465 with your take of $74.
As you can see, employing this scheme with just a $1.00 "press," your take becomes smaller the longer you play on without succeeding. That is why you have to march away once you have won or you have to bet a "full press" once again and then carry on with the one dollar mark up with each hand.
Crunch the data at home before you attempt this so you are very adept at when this approach becomes a non-winning proposition rather than a profitable one.
