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Bet A Lot and Earn Small in Craps
March 9th, 2016 by Gina

If you choose to use this system you must have a vast pocket book and incredible discipline to leave when you generate a tiny success. For the purposes of this essay, a sample buy in of $2,000 is used.

The Horn Bet numbers are surely not considered the "winning way to wager" and the horn bet itself has a house advantage of over 12 %.

All you are betting is $5 on the pass line and ONE number from the horn. It does not matter whether it’s a "craps" or "yo" as long as you play it constantly. The Yo is more common with players using this approach for apparent reasons.

Buy in for two thousand dollars when you approach the table however put only $5.00 on the passline and one dollar on either the two, three, 11, or twelve. If it wins, fantastic, if it does not win press to $2. If it does not win again, press to $4 and continue on to $8, then to sixteen dollars and following that add a $1.00 each time. Every time you don’t win, bet the last value plus a further dollar.

Using this system, if for instance after fifteen rolls, the number you bet on (11) hasn’t been tosses, you probably should go away. Although, this is what could develop.

On the 10th toss, you have a total of one hundred and twenty six dollars in the game and the YO at long last hits, you earn $315 with a gain of $189. Now is a good time to go away as it is higher than what you joined the game with.

If the YO doesn’t hit until the 20th roll, you will have a total wager of $391 and because your current bet is at $31, you earn $465 with your profit of $74.

As you can see, employing this approach with only a $1.00 "press," your profit margin becomes smaller the longer you wager on without winning. That is why you have to go away once you have won or you must wager a "full press" once more and then advance on with the one dollar boost with each toss.

Crunch the data at home before you try this so you are very familiar at when this system becomes a non-winning proposition rather than a winning one.


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