If you consider using this scheme you really want to have a very big pocket book and superior fortitude to step away when you acquire a tiny success. For the purposes of this story, an example buy in of two thousand dollars is used.
The Horn Bet numbers are certainly not considered the "winning way to play" and the horn bet itself has a casino edge well over 12 %.
All you are betting is 5 dollars on the pass line and a single number from the horn. It does not matter if it is a "craps" or "yo" as long as you bet it consistently. The Yo is more common with gamblers using this scheme for apparent reasons.
Buy in for $2,000 when you sit down at the table but only put $5.00 on the passline and one dollar on one of the two, 3, 11, or 12. If it wins, beautiful, if it does not win press to $2. If it loses again, press to $4 and then to $8, then to sixteen dollars and after that add a one dollar every subsequent wager. Every time you don’t win, bet the previous bet plus an additional dollar.
Adopting this system, if for instance after fifteen tosses, the number you bet on (11) has not been tosses, you really should step away. Although, this is what could happen.
On the tenth roll, you have a total of $126 on the table and the YO finally hits, you win three hundred and fifteen dollars with a profit of one hundred and eighty nine dollars. Now is a great time to step away as it is a lot more than what you entered the table with.
If the YO doesn’t hit until the 20th toss, you will have a total investment of $391 and because your current bet is at $31, you come away with $465 with your gain being $74.
As you can see, employing this approach with only a one dollar "press," your gain becomes tinier the more you gamble on without succeeding. That is why you have to walk away after a win or you must wager a "full press" again and then continue on with the $1.00 mark up with each roll.
Carefully go over the data before you attempt this so you are very familiar at when this system becomes a losing proposition instead of a winning one.
